Rating: *** out of ****
Jonathan Kasden’s ‘In The Land of Women’ is the companion piece to Zach Braff’s ‘Garden State’. They both center on young post-adolescent males who leave Los Angeles and go back home for similar reasons. The difference here is that the hero doesn’t run into the wide array of wacky characters and situations that the folks in ‘Garden State’ do. And you know what? That’s exactly what this story needs. Not to say it is better or worse. It just has a smaller, more subdued tale to tell. It is short and sweet and though it could have been more detailed in some areas, most of the time we get exactly what we need.
Carter Webb (Adam Brody of ‘The O.C.’) is a 26-year-old soft-core porn writer who has recently been dumped by his girlfriend Sofia (Elena Anaya), a model/actress. It is rumored that after their breakup Sofia begins dating Colin Farrell, which begged the question, ‘How did Carter get this girl?’ He seems rather out of her league. Anyway, Carter’s grandmother (Olympia Dukakis), who lives back east, is not well. Well, she says she’s not well but Carter believes she is either out for attention or going senile. Devastated over his breakup with Sofia and seeking inspiration for a serious writing project, Carter leaves L.A. to stay with his grandma in suburban Detroit. Shortly after arriving, he meets The Hardwicke family who lives across the street. Before long, Carter finds himself involved in the personal goings-on of Lucy (Kristen Stewart), the teenaged daughter of the Hardwicke family and Sarah (Meg Ryan), Lucy’s mother.
Sarah has recently discovered she has breast cancer. The changes this brings about in the Hardwicke family, force Lucy and Sarah to reevaluate their lives and take stock of what really matters to them. Sarah’s husband is having an affair. Both Sarah and Lucy know this. Sarah admits she is no longer in love with him, but that she fears losing her secure world, even though her life may end soon. Lucy admits she resents her mother for her father’s unfaithful nature. Lucy is going through man troubles of her own, on a more high school level. Nevertheless, both women face the same problem: admitting their feelings to themselves and taking the obvious choice that is right in front of them. Carter becomes a confidant to both women, offering solace in small doses, such as a walk or a cigarette on the 50-Yard Line. How Carter deals with his new responsibilities and relationships are what makes the film fun to watch. Though he does develop romantic connections with both Lucy and Sarah, it never veers off into the direction of a seedy love triangle, in which Carter is simultaneously seducing both mother and daughter. Part of me couldn’t help but wonder what another version of the story would play like, in which the alternate story came to fruition. Larry Clark might handle the material well.
But I digress.
Olympia Dukakis steels the show in the role of the grandma. While everyone else is intelligent yet wrought with personal crises, Grandma is often represented as a crackpot, and in a weird twist of irony, is revealed the one character that is in complete control of their destiny.
It is the connections and bonds built between Carter and the women in his life, old and new, that drives ‘In The Land of Women’. As Carter struggles to resolve his own issues, he is drawn into the dilemmas of the Hardwicke women - all of whom, in their way, fall in love with him, and all of whom, in their way, help him find his desired path. In spite of the ending being a bit too convenient and my wish for a stronger resolution between the three characters, this is a small, sweet tale with endearing characters and strong performances, by Dukakis and Ryan especially. Adam Brody is perfect in the role of Carter, the young man trying to find his place in a world that suddenly makes no sense. Some may say this film succeeds over ‘Garden State’, as it has essentially the same story only leaner and it still has the catchy, alt-rock soundtrack - and we all know how important that is in these movies.